Never give up

No doubt if, like me, you’re a fan of Neil Gaiman you’ll have already read about this.

Patry Francis managed to do that amazing thing every writer dreams of and got her book sold only to discover she had an aggressive form of cancer. That fact means instead of promoting her book, The Liar’s Diary, she’s stuck at home fighting her illness. And so a bunch of people in the literary blogosphere clubbed together yesterday to collectively push Patry’s book on its launch day.

So why am I blogging this to my very small readership?

A) I’ve listened to the excerpt and it’s good.

B) Everyone needs a helping hand sometimes

C) Cancer has taken more than its fair share out of my own family, most recently in 2005 when my Nan passed away. It’s a horrible illness, incredibly difficult for sufferers and family of sufferers alike, I wouldn’t wish it on my worst enemy. If I can help anyone, especially a fellow writer, then…I’m like…where do I sign…even if I do sound like a tool.

So buy the book. More importantly read it.

And get well soon Patry.

Story: Wide Open Space

Ok. Currently I’m still ploughing my way through Midnight’s Children and I haven’t been to the cinema for a while nor done anything else other than work. So there’s not much to report.

However I do have a story – Wide Open Space – that seems to have lucked out but that I quite like and so I decided I’d share it here. I hope you enjoy:

Wide Open Space
By Neil J. Beynon

It was a Thursday when I first noticed it. I cannot remember what week it was or what
month, nor what the weather was like or why I even checked. It wasn’t the itching.
That came later.

I was bleary eyed and in serious need of a coffee but I’d skipped a shower for the last
two days, the cold being too much for my system at that time in the morning. Any
longer and I’d be escorted from my place of work for crimes against humanity. The
icy lances of water shot adrenalin straight into me firing my brain up faster than the
water could warm.

The water did eventually get hotter until it wrapped me in a steamy, moist hug and I
stood under the shower’s soft embrace for a few moments, a moment’s indulgence
before stepping on the treadmill for another day. I could hear Mary moving around in
the bedroom, already dressed from the sound of things, and so I stepped from the
shower.

The towel was coarse over my skin, I reflected that I really should get a new one but
the towel was like an old friend, we’d been through a lot together and so I had hung
onto it. The thing was so rough now that I nearly missed it, put the discomfort down
to having dried to vigorously, but it wasn’t just the pain.

There was a lump.

On the back of my right calf, a lump, a big fuck-off lump about half way up. It had
not been there the day before, of that I was sure. I would have noticed having cycled
every day for the last few years you get accustomed to any change in your legs. I
called out for Mary.

I’m not ashamed to admit it. I was terrified.

She entered the bathroom brushing her blonde hair down one side of her shoulder, the
sunlight catching it just so. When I remember her I like to picture her that way, head
tilted over to the side, her face warmly lit and her green eyes glinting with a ghost of a
smile. Not as I saw her last.

“What’s up?” she said. I pointed at my calf. “Yes they’re very impressive but did you
really need to call me, I’m in a rush.”
“There’s a lump,” I said. She caught my eye and saw I wasn’t joking, the lump not
some cheesy line – I was renowned for them.

She placed her brush down on the sink and leant over, her warm hand skimming the
skin of my leg until she found the cause of my fright; frankly it was hard to miss. She
made a low noise like she was audibly frowning; she knelt down and took a closer
look, her fingers pressing down on the would-be tumour. I let out a little sigh of pain.

“God it’s hard,” she said. “Almost like bone.” I would have sniggered at this
normally, that I didn’t gives you an idea of how freaked out I was.
“What do you reckon it is?” I asked.
“I don’t know,” she answered. “I’m no Doctor. Is there one on your other leg? You
may have just done it cycling.”

She ran her hand down the other calf and sure enough found a lump of similar size to
that on my right.
“You haven’t been drinking those stupid protein shakes again have you?” she asked.
“No,” I lied.
“Well I think you’ve probably overdone it a bit and your muscle is reacting,” she said.
“Maybe you ought to leave the cycling today.”
“I’ve never had a reaction like this,” I protested.
“Leave the bike, get the tube, you’re late anyway,” she said turning her back.

And that was it. At least it should have been.

#

The lights flashed and went dark as the train clattered through the tunnel. I closed my
eyes as it lurched from left to right, my stomach in my mouth, my hand gripped
tightly to the vertical handrail even though I had a seat.

As a child I loved the tube. A trip on the mechanical snake was a rare delight and
signalled exotic treats such as the Zoo, Planetarium or if I was lucky a Museum. As
an adult traversing their sweaty cabins twice daily I had lasted around nine months
before I had picked up my bike and braved the slow but tempestuous beast of London
Traffic.

That day, forced back on by my “leg injury”, was even worse than normal. It was hot,
I remember that, and the carriage was full of smelly, ugly odours that jarred like
shades of neon green, yellow and pink. The people, oily, meaty, packed in close
together, my skin crawling. There are laws against transporting animals like that. No
one in London seemed to be aware of this.

I lasted as far as Holborn before it got too much. My chest felt bad, as if some one
was tightening a band around it, my heart felt like it was drilling for oil in my spine. I
clambered out of the carriage as quickly as I could; I may have knocked some one
over. I remember a lot of shouting as I left the carriage. Someone wasn’t happy.

On the platform my palms were itchy- I wondered if I’d picked something up off the
handrail on the tube. I don’t think you can get it that way though. Not now I know
what it is.

As I moved my chest still felt as if a heavy weight had been laid on it and I think I
must have been pale as a ghost because someone actually stopped to see if I was
alright. In London! Amazing!

I pushed my way into that hideous conga of people that, during rush hour, stretches
from the platform below to the small ugly opening at street level.

The polished tiles in the tunnel reflected the glare of the lights burning my eyes as the
escalator carried me up to the street, to space, to fresh air. By the time I got there I
was rubbing my eyes as if they were burning holes in my head. However the air was
not fresh but acrid with the smell of a thousand flavours of fuel emissions, the smell
of rush hour.

I hung onto the dirty iron railing on the edge of The Strand. The breeze on my sweat-
soaked shirt was like an icy hand running up my back; I fought back an urge to rip the
garment from my shoulders. The steady bustle of people knocking against me seemed
to be in synchronous rhythm with the pounding in my head.

I needed to get out of the crush. I needed it more than I needed oxygen.

How I managed to get to the office without killing anyone I do not know and though I
have since done questionable things I am still proud that I did not do so that day. My
early morning scare had put pay to any thoughts of getting in on time but I still
seemed to have misjudged the commute because surely there was more traffic on the
street than I remembered?

I stopped trying to dodge people after the sixth person barged me, the crowd in turn
began to part before me after I had knocked the eighth person on his arse for
deliberately walking into me. Had I realised it earlier I probably would have been
rougher from the start. Hindsight and all that.

On reaching the office, I thought I’d be safe. The small line of smokers outside;
huddled and suckling at their smoke filled teats, stared at me as I made my way self-
consciously into the office. I must have been quite a sight: my wild-at-the-best-of-
times hair was doing some crazy reach-for-the-skies-thing and my shirt was half un-
tucked in its sweat-tangled state.

I made my way quickly up the stairs slamming the door of the toilet shut before
sliding down the cubicle wall, safe at last. Now all I had to do was calm down.

No big deal. Right?

#

There was the briefest of pauses as the coffee soaked through my shirt and sent fire
across my chest then I was swearing. A lot. The unfortunate bearer of the coffee
stared on in mortified silence as I launched into a tirade of abuse before my line
manager led me gently away to his office.

He handed me a towel.

“Are you alright?” he asked.
“Just a bad day,” I said. “Just when I think I’ve ridden it out something else goes
wrong.”
“I know how you feel,” he said. “But I can’t have you going off at people like that. It
was an accident.”
“I appreciate that,” I said. “I lost my temper, I have a lot on my mind.”
“Not good enough,” he said. “You know if you weren’t so valuable I’d have to let you
go for that. You need to apologise and then you need to go home. Chill out for a few
days. You’re no good to me like this.”
“Like what?” I rankled.
“You’re burned out,” he said. “Can’t you see that?”

I stared at the carpet. My coffee-soaked shirt no longer felt hot just cold, and wet. The
floor lurched; I held onto the edges of the chair so hard my knuckles turned white and
then I looked up. He didn’t seem to have noticed the building move. Maybe I was
sick.

“You’re suspending me or sending me on sick leave?”
“Sick leave if you agree,” he said. “If not…”
“Ok,” I said. “Listen I don’t feel so good, do you mind calling me a cab?”
“No problem,” he said. “You do look a bit grey. You’re doing the right thing.”

He went out to talk to his secretary, she would call the cab, coming back to the office
he was caught by someone and I could see him expanding on some point as I left the
office. I didn’t know where I was going save that I needed to get out of the office
where the walls moved, coffee was thrown at you and you weren’t allowed to lose
your temper.

#

That night I slept fitfully, kicking Mary in my sleep so many times she eventually
decamped to the spare bed leaving me alone lashed to the bed by wild, mad, blood
drenched dreams. I dreamt of mountains, not the cold rocky mountains of Snowdonia
that I’d loved as a child but the thick-forested curves of the black mountains. I could
feel grass under foot, the breeze overhead carried the smell of fresh leaves and I
moved swiftly into the forest.

When I awoke properly, the morning sun was already high in the sky. I was not in the
mountains but in a small box of a room which contained a bed and not much more.
The sunlight broke through a crack in the curtains onto the faded yellow wall. The air
was so thick you could cut it with a knife then eat it like a cake if you so wished.

I rolled over to the other side of the bed, stood and opened a window; there was no
breeze – it only served to let the noise and smoke in.

I padded into the kitchen where a small note from Mary sat stuck to the fridge asking
me to clean the dishes as I was off. I cast my gaze across the room to the small tower
of hastily piled dishes sitting in the sink, the fetid odour from the water that had been
left to stand mixed with the scraps of food punched me in the gut.

I retched.

I threw up.

I stumbled from the kitchen flipping the door against the smell and flopped
unceremoniously onto the sofa. My skin crawled where I imagined the pervasive
perfume of the kitchen had touched it.

My hair seemed even wilder that day and it felt coarse as I ran my hands through it,
my arms feeling longer, clumsier, alien in fact. Still I fumbled my way through
brushing my teeth, wincing as I ran the brush over a couple of abscesses. My boss
was right I was run down. I needed to take better care of myself.

I checked the lumps – they seemed more pronounced in spite of the two days off the
bike. I went on the Internet. I looked at as many medical sites as I could find but none
of the tumours I saw bore any resemblance to my lumps.

I went downstairs and threw the protein mix out just to be sure, noticing as I did that
the sun was so bright it hurt, the smoky air more moisture-laden than the day before.
My T-shirt stuck to me in sticky wet kisses that invited a violent tearing off, somehow
I restrained.

My stomach rumbled; it was empty now of course. The kitchen door stared back at
me as I stood in the hall, I didn’t know how long I’d been standing there but I was
suddenly conscious that this was not normal behaviour.

I entered the kitchen. Cleaning it up took a good couple of hours during which time I
bleached the whole room within an inch of its life. Say what you like about the smell
of ammonia but at least you know it’s clean.

I covered my nose, mouth and hands. I had everything open – back door, windows,
skylight and a fan blowing all the smell out of the room. On reflection this too was
not normal behaviour.

When I finished my hands were shaking with hunger and I opened the fridge with
something approaching religious fervour. I liked my food. Still do. The fridge was
empty save a lump of hardened and greening cheese.

I swore.

#

The supermarket stank nearly as badly as the kitchen. I found the light oppressive, it
crossed my mind that maybe I had meningitis but I decided I was being melodramatic,
still I stared at the floor; a dirty lino flecked with colour. The people in the
supermarket were worse than any I’d run into in the city, unwashed and unclean, the
dregs of society with nothing better to do than hang around a supermarket all day.

My skin seemed thick with grease by the time I left, my bright red, bloody, pre-
packed slaughtered meat clutched in my hands. My ribs felt bony and painful as I
walked slowly back to the house. My head was spinning now, the road seeming to
stretch on into eternity.

Everywhere I looked there was concrete, too much bloody concrete. My throat was
parched. I longed for a draught of water run down fresh from the top of some
mountain such as I had seen in my childhood rather than trapped inside a plastic
prison. I stepped on an empty crisp packet, tripped and dropped my bag. A tramp
laughed. I swore as I picked up my goods and continued on my way.

The sun seemed to take on the neon glow of the supermarket strip-lights, I felt very
exposed as a helicopter beat its way through the air above, a small ape in a concrete
maze. I wanted to run and hide. Visions of me sliding into the cool dark of an
alleyway fleeted through my mind, I pushed them away. I was sicker than I’d thought.

I slammed the door behind me. The house was cool. It wasn’t dark but it would do.
Overhead I could hear the helicopter still but it seemed muted, distant, my heartbeat
receded.

I doubled over in agony. My ribs felt like they’d been beaten with a meat mallet, the
pain was bright, psychedelic fire that sent purple splotches through my eyes. When
the spasms stopped I pulled myself sweating up the wall and saw in the gold leafed
mirror that I’d ruptured all of the blood vessels in my eyes.

The pain subsided and I was once again ravenous, I hadn’t eaten since yesterday. It
was all I could do not to rip the steak packet open and eat the thing raw but that
thought made my stomach turn over again. I managed to flash fry it briefly on either
side before chewing it down. The meat was, in my haste, burnt on the outside but
inside it was juicy, sweet and so fucking good I very nearly wept.

When I was done I wiped my chin and sat on the floor with my back pressed to the
cupboard.

I’m having a breakdown, I thought staring at my reflection in the oven door, I’m
cracking up. I was remarkably calm about it, as if naming it diffused the panic, made
it more palatable. Then it sank in: I was losing my mind.

I cried into hands that felt longer, gaunter, than they should. Exhausted and spent, the
sun low in the sky, I fell into sleep.

#

The door slammed with a crack that woke me from dreams where I wandered through
forest, the smells fragrant and lush as I moved. My head felt foggy as I sat up. Mary
stared at me from the hall; she reached to place her keys on the small wooden table by
the door. She missed.
“What on earth are you doing on the kitchen floor?” she asked.

I looked around at myself confused. I didn’t understand why I was there anymore than
she did and frankly I was more disturbed than she was.
“I don’t know,” I said. “I had something to eat and then I felt tired.

She stared at the bloody remains of a barely cooked steak and then looked over at the
juice stains on my shirt.
“You look like shit,” she said striding over to me.
“I don’t feel so good,” I said as she knelt down in front of me.

She stared at me trying to see I don’t know what but when she stood she went straight
to the phone and called someone. I felt I should be concerned at this but another part
of me pushed this thought away as unhelpful.
It was dark outside. I liked the dark.

I pulled open the kitchen door and stepped out onto the patio, there was a small square
of grass – my only condition to moving in. I stepped onto it, barefoot, the feel of the
grass underfoot sending delicious tendrils of electricity through my body.

The wide open space visible in the night sky stretched out above me. The stars were
partially obscured by the streetlights but we could not hide the beauty of the dark in
its entirety. We’re not that efficient yet.

The thin, intermittent covering of cloud slid back from the moon. The goddess stared
down on me with cold, pale eyes. Unlike the burning gaze of the sun the moon’s rays
were cool, soothing, like the water of the mountain stream I longed for. It was as if
the moon spoke to me as a doctor would a patient saying: rest easy this will only hurt
for a bit. And like a doctor it was a lie.

When the pain came I felt detached from it, like it was someone else, at least for a few
moments; then I was screaming.

My ribs broke. I felt them go; popping one by one, and Mary heard them, I think,
from the steps. She swore uncertainly but did not come closer, I was lying on the
grass, convulsing in agony. My limbs stretched and contorted.

When my knees inverted the fire in my joints was like bombs exploding in my
extremities, tearing, scorching and reshaping my limbs according to some unknown
whim.

Yet part of me enjoyed it. Part of me understood what was happening. I felt a
loosening in my chest that was like being set free even as my rib cage was cracking
apart before changing. Then my skull slid forward and words left me.

When the purple flower of pain receded once more I was on all fours on the grass. My
neck felt weird. I couldn’t look down at the ground easily, I couldn’t get my legs to
move correctly and my fingers wouldn’t move at all. I looked down at them with
difficulty and saw only fur.

It did not concern me so I turned my gaze to the patio where I could smell fear and
hear something that made strange, wet, snuffling noises.

Mary was on her knees staring at me; her wide eyes full of tears, her breath coming in
big frightened gasps. I thought I should go to her. I walked forward. I tried to put my
hand in hers but my paw simply slid off her knee.

She whimpered.

I tried to kiss her and instead found myself licking her face. My tongue some long
alien appendage that moved of its own accord. She tasty salty, coppery and sweet;
something rumbled in my torso. I turned away confused.

She let out another small cry.

A door slammed somewhere. I could hear sirens in the distance and the roar of
engines on the wind. The manufactured rock of the city seemed to loom down on me,
a giant wolf of stone ready to devour me whole. In my mind’s eye I could see the road
leading from the city, the wide expanse of the farmlands lining the way out to the
mountains, I needed to go.

I turned to look at Mary.

I couldn’t leave her behind. That would be wrong. She looked so frightened, so weak,

I was disgusted and I was hungry.

#

I padded out of the city, my belly full. Uneasy with the close proximity of the traffic
but my chest easing with each step, my shoulders lowering with each breath of
gradually lighter air. When the sun rose I found a small dark hole behind someone’s
shed and when the sun set, as it must do everyday, I ate again before travelling once
more.

I stare down at the valley below from a small ridge. The moon – the goddess -gazes
down at me with her soft, soothing light and I am content. It is a long time since I hid
in a shed or had to dine on monkey meat to feed my belly.
The mountains are good. The forest is better. There are deer here. People come here
sometimes but if I keep myself to myself I’m left alone. Occasionally one strays into
my land, they don’t twice and you’ll never find what’s left of them.

And sometime I’m not sure if I was a man who dreamt I was a wolf or a wolf who
dreamt I was a man but these days I can feel the wind on my back, feel the grass
under my feet. Occasionally I think I can hear it, the grey wolf, stalking ever nearer
but it seems so unimportant now, so unreal.

And when I howl it is through woods my cries echo, no concrete in sight.

And life, like fresh meat, is sweet.

musings

It’s amazing isn’t it?

I’m sat here in Charing Cross station writing a blog post on my handheld. Yet we still can’t build a station in Central London with capacity for more than ten people and a small dog to sit down.

Similarly you can buy a mocha froc fapacino expresso from any of five different chain cafes but can you find a bloody public toilet?

Oh and why is it something has to break or blow up before people are nice to each other?

I’m sure there’s a reason for me working in Central London but after a ten hour day, sat on this ice cold metal bench with my back contorted against a derelict shop window, I’m struggling to think of it?

Answers welcome in the comments.

At the seaside

Whitstable

So today I went to the seaside.

After a few weekends of moping around the house we decided to take advantage of the good weather to go for a road trip down to the coast. It’s a short jaunt down to Whitstable, we’d never been before, and that’s how we wound up on a beach at the end of January.

Note to self: Blue sky in January does not mean it’s warm.

Whitstable is a small seaside town in Kent. It’s a popular haunt for oyster lovers and has a fab collection of buildings dating from 1778 onwards giving it a funky, eclectic feel. This moves into the downright bohemian in places with a high proliferation of artists, galleries and craft stores that make it a good afternoon out. If you like that sort of thing. And I do.

Anyway, after G ran amok with her camera on the beach we retired to a popular eatery and I consumed my own body weight in pasta. Then we discovered the chocolate shop: Coco – all I caught from G was: Mmmmmmmm. By which I take it you should try it.

‘Twas fun and now I’m off to do some writing. Byyyeeeeeee.

Friday Flash Fiction: Silver

Silver
By Neil Beynon

The room was dark. Thick acrid smoke clung to Caerwen’s nose and mouth; she coughed as she stepped over a sleeping body. Rhys, if she wasn’t mistaken. Lurking beneath the smoke was the sticky sweet smell of spilt mead.

“You’re Da is over there,” said a voice.

Caerwen forced her heart back into her chest. “I thought you’d gone home Brampt,” she said.

“I was just leaving when you came in,” said Brampt, emerging from the smoke. He was more like a creation of the pervasive mist with his lunatic wiry white hair and filthy grey clothing. But the pipe in his mouth uncloaked the lie. “Time was when my storytelling would have had them on the edge of their seats rather than sprawled on tables,” he continued, his eyes never leaving Caerwen, nor blinking in the smoke.

“Don’t be silly,” she said. “I’d give anything to be a bard like you, to be able to tell stories like you.”
“Oh you would…”
“Don’t be disgusting you old lech,” she replied. “Your stories are good is all.”
“No girls allowed,” he answered. “Oh I’m sure yours would be good. I’m not what I once was and I miss it. You should have seen me in my prime: no fools fell asleep then.”

“Go on then, tell me one from the old days,” said Caerwen sitting.
“No, their time has passed,” he said. “I’ve grown inept.”

Caerwen watched him shamble his way towards the door, she rolled her eyes.
“Must you always put on this performance,” she said but he did not stop. “Very well: Please Brampt; tell me one of the stories from your prime.” Brampt looked back at her from over his shoulder.
“You serious?”
“Never more so.”
“Ok,” he said turning properly back to her.

“You’re good for an old man,” he said taking her hand in his tobacco stained paw. “Such fine hands.” She withdrew her digits from his grasp, clearly the mead had flowed his way as well. Caerwen made to leave.

“He was your age.”
“What?” she asked.
“He was your age,” he replied. “Our protagonist. He was your age with skin as milky smooth as your own and as fine an appreciation for the spoken word.”

#

His name was Dafydd. He lived in Powys with his father, a farmer who had little time for anything that would neither feed, water nor shelter his cattle. His son’s chosen profession did not sit well with the farmer.

In anycase he needn’t have worried, for Dafydd’s problems went further than his father’s wishes: Dafydd was terrible. He was not blessed with language as you or I are. Oh he loved to listen to the wandering bards, could pick the ones who would be successful and judge the tales best suited to a crowd.

Yet when Dafydd started to speak his words fell apart, if he tried to make the tale up his mind would become as empty as the sky. If he learned the lines his tongue would trip and stumble over the sounds until the audience withdrew in defeat.

Then one day a great man came to the village, a bard so renowned he’d spun his yarns in front of the three kings of the island.

#

“Owain,” said Caerwen.

“Owain,” agreed Brampt. “Dafydd was agog with excitement as you might imagine. All day he went round with his head in the clouds. The cows were left on the hills too long, the milking forgotten and the barn not repaired.”

#

Dafydd’s father was not by nature a malicious man but he grew tired of his son’s daydream induced ineptitude and so he forbade him from attending the evening’s storytelling. And to make sure the farmer locked Dafydd in the barn.

When Dafydd’s friends came to walk with him to the Inn where Owain would speak the farmer told them he was sick. They shook their heads in sadness; Dafydd must have been near death to miss his idol’s stories.

Dafydd sat in the barn and watched his friends disappear into the valley. They swallowed his Da’s tall tales more readily than his own. Then, because there was nothing else to do, he rolled onto his side to go to sleep.

Hope stared back at him through the broken slat he’d forgotten to repair or tell his father about. Quickly he pulled the slat from the wall using it to break another panel. Grabbing an old cloak from the inside of the barn, he squeezed through the hole before running as fast he could down the valley.

The inn was full to burst. The mead flowed slowly, so packed was the bar. Dafydd had to climb onto a barrel outside a window in order to hear Owain’s tale.

I cannot repeat that tale, I would tarnish it with my clumsy wordplay but I can tell you that Owain took them to a different world. He painted picture in the smoke filled air: terrible creatures that made the more timid listeners jump at their own shadows, brave warriors whose shining honour gave them hope and best of all a true hero that was not a swordsman but a simple creature that put them in mind of themselves.

There was a moment of stunned silence when he finished. Then claps so loud you’d have thought your ears were bleeding. Only one person did not clap. One person was not joyous they’d head the tale.

Dafydd dropped, unsmiling, down from his barrel. He climbed onto the roof of the inn; the farmhand needed to think away from the noise, to contemplate the dark and oily beast that had crawled onto his back as he sat listening. At first he thought it was despair come to finish him – for he would never, ever, in a million years possess the skill Owain had shown.

Then, as he kicked a tile from the roof in anger, he realised it was the unfairness of it all. Why should Owain have the gift and not he? He practiced as hard as anyone, he listened to as many other tellers as he could, he knew what made a tale bad and what made a tale good. Why then was his tongue wooden whilst Owain’s silver?

Whether it was something he thought up himself or an ancient tale he recalled sitting on the roof doesn’t really matter. The point is Dafydd had an idea and the thing about ideas is they’re neither good nor bad, they just are.

The drinking went on late into the night but it was still dark when Owain retired to his room.

“Hello Owain,” said Dafydd from his perch on the windowsill
“Who are you?” asked Owain. “And what are you doing on my window sill?”
“I am Dafydd, the bard that never was,” said Dafydd dropping off the window sill.

“Oh,” said Owain. “Are you after some tips?”
“Not really.”
“Oh please don’t ask me where I get my ideas,” said Owain, smiling tiredly.
“Nope,” he said. “I know that trick.”

And then Owain saw the knife. “No don’t…”

Dafydd’s years of farm work had left him strong but still his work took until dawn. The stitches took the longest – it was hard with blood flowing all over his hand.

The sun dried the sweat on his shoulders as he left the village by the low road. Dafydd was not a foolish man; he knew he now had to leave his home. He was not sad. He had a new life now and he was eager to try out his new tongue.

#

“Oh Brampt that’s awful!” said Caerwen.
“Well I never said it was a nice story,” said Brampt.
“And what happened next?”
“That’s the end, he became a wandering bard.”
“You can’t end there. He’s got to have his just desserts, the villain shouldn’t win.”
“Why?”
“They just shouldn’t!”
“Ah,” replied Brampt. “Powerful reason that.”

“So did it work?” asked Caerwen.
“Oh yes,” said Brampt. “For a time.”
“So he became famous?” asked Caerwen turning to look at her Da snoring in the corner.
“Yes, he became famous and he made coin.”
“So how come I haven’t heard of him,” said Caerwen trying to lift her dad.

“His tongue fell off,” said Brampt.
“You’re joking?”
“Nope,” he answered. Placing his pipe on the table. “Fell clean off, ‘course it went black first.”
“You’ve lost me, I nearly believed you up to that point,” said Caerwen smiling. “That’s just silly – what did he do then?”

Then she saw the knife. There were no screams; he’d had lots of practice.

Friday Flash Fiction

I am, somewhat predictably, going up to the wire this week.

There will be a story up in a few hours, in the meantime feel free to peruse the archive by clicking on the friday flash fiction link above.

*****

Oh and it’s called Silver. It’s coming really soon.

The Internet: bad for your health?

A couple of people have asked me about Bridgend hitting the news, yet again, for all the wrong reasons. For those of you who don’t know, that was one of the places I lived when I was kid – actually where I stayed put longest. It recently hit the news because of this.

Anyway, I had no idea this had happened but now I am aware – and I was asked – here is my view:

It is a terrible tragedy for the families and friends involved, my thoughts are with them.

The media coverage is inaccurate, sensationalised and insensitive to the relatives of those recently affected as well as the many families in the area who have gone through this in the last ten to fifteen years.

There have always been a high number of teenage deaths in the Bridgend area (suicide and accidental) for reasons that are complex and varied but none of which include social networking sites. These include the close proximity of unstable cliffs, dangerous tidal conditions around the Ogmore estuary, inadequate speed limits on the A48, social deprivation due to the decline of manufacturing, high levels of drug abuse, and frankly inadequate support services for teenagers particularly males.

Reports warning of the evils of sites such as Bebo show a high level of ignorance both of how the internet works and how teenagers interact. And that’s all I’m willing to say.

The mood will lighten later with Columbo Villain of the week. Promise.

I am writer, hear me roar

Roar

Mister Peace, one of the earliest friends of this blog, has passed me a meme-disseminated award: A Roar for Powerful Words. The award was created by The Shameless Lions Writing Circle to spread awareness of good and powerful writing on the Internet.

Thanks Mister Peace, for your positive feedback on my last post and the award.

The rules are really straightforward:

1. Link back to the person that tagged you in your post.
2. List three things that you believe are necessary to make writing good and powerful.
3. Tag five other people via comment.

This puts me in a little bit of a quandary as, only having placed two stories (only one of which is actually out at present), I really don’t feel qualified to provide writing advice. But as I’ve been asked here goes:

1. You write: No, I’m not being funny. There are no short cuts. Writing powerfully, writing funny, writing scary, writing sad, writing romantic, whatever: it still comes down to putting one word in front of the other. There are no shortcuts. And, unless you’re a genius, it takes time to become good. Hell I’m still trying. It helps if you enjoy the journey

2. Be brave: You’re going to make mistakes. Some embarrassing, some funny but, if you put your heart into it, all honest.

I wrote from a very young age, and pretty consistently, until I was around thirteen then I stopped. For most of my teens I barely wrote anything aside from the occasional angst ridden poem and a very derivative screenplay. I didn’t stop having ideas, indeed I recently cleared out three shoeboxes full of my teenage ideas from my parent’s house, but I was too scared of making mistakes to do anything more. I lost ten years through that. Ten years when I could have been doing one of the things I love most.

Probably the best example of fearless writing I can think of is Neil Gaiman, a man who doesn’t have a problem making mistakes. If you’ve ever read Sandman you may have noticed how about six issues in there is a noticeable change in the quality of writing. The whole series jumps up a notch. That’s Gaiman finding his voice for the series, that’s him slipping into gear – what’s gone before is a very public experiment and he’s made mistakes. But it doesn’t stop him and the results are frankly breathtaking.

So don’t stop writing because you’re scared what people will think, don’t stop because you’re scared it’s not any good, don’t stop because you think it’ll never sell, don’t stop period. The minute you do it’s game over. As cheesy as it sounds you really do have to be in it to win it.

3. Care about what you write: The line used to be – write what you know. Basically that’s bollocks and will lead to writer’s block faster than a greased whippet chasing an overweight rabbit. Rather than writing what you know, you should write about what you care about. Whatever floats your boat. If you want your words to have power, for them to resonate with the reader, to make the audience ask questions or to play with their emotions. If, in short, you want that all-important “Wow!” you must not just go through the motions, you have to care about each word. After all if you don’t care about them why should your reader?

Here are my nominations: Greg O’Byrne, Strugglingwriter, Fracas, The Midnight Express and, in the vain hope it’ll bring her back to the blogosphere, Joey Moggie.

Friday Flash Fiction: The Cloud

Ok. Fumbled this one. Guess that’s what happens if you leave it to the last minute. There are actually two stories here, if you look hard enough. Feedback as ever is welcome.

The Cloud
By Neil Beynon

The funeral was today.

I was compelled to go although I didn’t want to. Dreadful affairs. Communal displays of emotion make me feel dirty: dreary black clothing on even drearier grey stone and all that leaking. Yuk. I was told I was going; Steph unjacked me without even asking.

I could have died.

They brought Gramps in a wooden box. I don’t understand why? You’re not allowed to bury in the ground anymore, the fire awaits one and all, you’d think they’d come up with a more efficient holdall for corpses. But no: its tradition.

There were a surprising number of people there. And not all bartenders either. I was a bit taken aback, the family were out in force – I thought he’d alienated them all. Perhaps they came along just to make sure he was really gone, not just in another stupor.

Stranger things have happened.

I asked him once why he did it. Why he drank. He just looked at me with his red rimmed, luggage laden eyes before lifting his glass and drinking down the scotch in one gulp. Then he poured me another and slid it over to me.

I was nine.

They say hangovers get worse the older you get. Bollocks. I repainted my parent’s dining room in violent shades of orange, beige and green. Just to make sure it matched I did the landing and hall on route to the bathroom. My parents returned to discover me dry retching in the bathroom whilst Gramps, sat in a puddle of vomit, finished the bottle.

He was not invited to stay again.

I still didn’t understand. I never drank again. Even today I’m tee-total and proud of it. I see them occasionally, sprawled in the streets, bottle in hand – a faint odour of spew (or piss or shit or sometimes all three) spinning its tendrils around my nostrils.

At least he wasn’t a Narc.

That’s what they said at the funeral. I don’t really see the distinction. Sure they’re a bit thinner, on occasion a bit more wired but they still wind up on the street, in my face and up my nose. Dead already and too dumb to notice.

When I voiced that opinion people went quiet, some sniggered.

I don’t really get them. People. And so I resolved to keep quiet the rest of the time making Steph’s kick somewhat redundant. She did it anyway. The service was really long, Steph made a scene – cried, blew her nose loudly, and squeezed my hand to tight: sweated all over me.

I just wanted to go back.

We had to go to the wake. Put in an appearance; press the flesh and say goodbye to the ghosts. I had nothing to say. Steph was cross with me again, compared me to a pig; perhaps it was a mistake to point out that genetically we are all quite similar.

Orwell would have laughed.

Now I’m back at home, Steph’s gone out. I’m alone. Not for long. The leather back of my chair is cold on the narrow expanse of skin between my t-shirt and the back of my jeans. I lean back – it’ll warm up soon enough. The room is stuffy. Light from the street is filtering through where the curtain has come off the hook capturing the dust dancing across the path I just walked across the room.

I hold the jack letting the light glint off its gold plated surface.

The thick black cable the jack is attached to is heavy as I flip it over my shoulder. There is that delicious moment where I can feel the jack inside my skull, a cold alien thing whose metallic probing kiss tongues my mind, washing away the world in a kaleidoscopic calligraphy.

Gramps stares back at me from the mantel piece as I left for The Cloud.

The Cloud envelopes me in its dry electronic embrace, puts its binary arms around me, whispers wavelengths in my ear. This is where you can dance with ideas, play with knowledge, and frolic with form. No sniggering or awkward silences. No fetid odours that leave you unclean. The Cloud is bliss. The Cloud is home. The Cloud is….

The world explodes in sharp, harsh lines inside my skull. There is a vacant gaping hole where the jack has been ripped from my skull by Steph who is standing over me, eyes burning.

“You promised,” she hissed. “No more today.” Then the jack is hurled through the window. I chase, flying, falling, all is a rushing slate grey. Then pain bursts like novae, the sky is full of copper rain encasing me in sticky wetness, all is grinding dark. The Cloud is gone.

And I don’t understand.

**********************

Addendum: This week the Friday Flash Fictioneers are joined by a new comer: Greg O’Byrne with Half-Man.

Review: I Am Legend

Hmmm. I finally got round to seeing the recent film adaption of I Am Legend starring Will Smith.

I am Legend

I have to admit I was nervous as to what Hollywood had done to one of my favourite books, I’d avoided other, earlier, adaptions for that reason. And quite understandably the film has taken liberties with set up in order to make the film work.

Set in the near future in New York city the film follows Neville, played by Will Smith, as he tries to find a cure to a deadly virus that has killed most of mankind. The survivors have been turned into zombie/vampires with exception of Neville who is immune.

That’s the setup. Pretty close to the book right down to the dead wife and daughter.

The changes early on in the story are all around the switch to film narrative as well as reflecting that the movie is coming out a number of decades after the novel. For example: Neville is a scientist in the film, his dog given to him by his daughter rather than found and of course the cold war has ended.

I was even more optimistic when they spent the first two acts setting the scene for what I hoped would be a faithful conclusion. Then something strange happened, the film went off on some bizarre tangent. It was almost like another film had been grafted on the end.

A real shame.

First off because what appears, at least to this filmgoer, to be a studio driven cop out destroys the impact the book has, it also leaves themes developed and hinted at in the first two acts dangling. For example: a lot of screen time and expensive CGI is devoted to showing that Neville’s interpretation of the creator’s behaviour is wrong and yet there is no follow up.

More importantly it distracts from the shining performance delivered by Will Smith. Everyone raved about him in Ali but for me this is his stand out moment. It’s a tall order to carry the majority of the film as the sole human performer on screen, he manages this not in an extreme over the top way but in a subtle and nuanced performance.

There is the extremely long, tight angle shot of his face in the laboratary scene with Samantha, his dog, an emotionally complicated scene with no dialogue that is genuinely moving. And the street scene where he finally begins to believe he’s going mad – terrifying. These are scenes that do not depend on action sequences, CGI or complex plot twists – just good solid acting.

There are also competent performances from the supporting cast and a woefully underutilised Emma Thompson. The CGI is very well done but the monsters are subsequently not as satisfying as the truly terrifying zombies of last year’s 28 weeks later.

All in all: worth a watch not for the film itself but for Will Smith’s performance and for lovers of the novel you need to be prepared for the film criminally missing the point of the original novel. I would expect an alternate ending on the DVD.

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